Psychology and literature - Jung

 Psychology and Literature mm Jung Jung
book
Obviously, psychology, mental process as the study can also be used to study the literature, because human psychology is the science and art are produced all the parent. While we expected to use psychological research to explain the formation of works of art, on the other hand is expected to reveal the art of creative people with a variety of factors. Thus, psychologists are faced with two unique and distinct to each other task, and must be in a totally different approach to study them.
to works of art, we must examine is a complex product of mental activity with a clear mm this product in the form of intentions and conscious; and for the artists, we need to study is the psychological structure itself. In the former case, we should try from a psychological point of view of a clearly defined, specific analysis of artistic achievement. And in the latter case We must be living under, creative individuality as a human to be analyzed. Although these two tasks are closely related and even interdependent, but no one can provide for each other to seek explanation. through art draw conclusions on the artist, or, conversely, to works of art by artists to a conclusion is obviously impossible. These conclusions can not be absolute, they are most likely to happen to speculation or conjecture only. that Goethe and his mother special relationship between the more or less help us to understand the cry of Faust: to mothers, how to produce a Faustian drama itself, though we can this man from the gothic feel accurately between these two do have a deep personal connection. Similarly, from the opposite direction it is impossible to infer more successful. Despite the Nibelungen live in the world is full of heroic men, and Wagner, who has a pathological femininity between the existence of links with some of the potential, but in the since we want a rigorous science should have a causal link. only in the psycho-physiological and psychological physiological instincts in this area, we can confidently use the concept of a causal link. psychologists should meet at the starting point from the spiritual life In other words, in a more complex level of psychological events that occur for different levels of broad description of the psychological context of the complex as a vivid description. In doing so, he must also avoid any kind of abstract mental process in isolation, said to be an Study the lost art of place, and it was reduced to his own subject of a special branch. Of course, psychologists will never waiver in the event of complex psychological research and the idea of establishing the causal link, as this so would deny the existence of psychology reasons. However, he will never be the most perfect sense in the practice of this idea, because the creative side of life (which in art has been most fully the performance of) all want to defeat attempt to establish a rational program. any kind of response to stimuli, can go from the causal explanation; However, creative activities and a simple response is completely opposite, it will never for humans to understand. We can only describe its performance form; it may be dimly felt, but can not be fully grasped. Psychology and Art will always have each other for help, but not by the party to undermine the other. psychological events can be derived, which is Psychology is an important principle. Psychological product is itself a two-for-east art or artists, regardless of any personal problems, which is the art m section of the principle. These two principles, albeit relative, but all is correct.
a work of art
psychologists and literary critics in the study of a literary work, the methods in the study between the two there is a fundamental difference. literary critics have a decisive significance that and value of things, may have nothing to do with the psychologist. fuzziness with a high degree of literary works, often causing great interest psychologists. For example, the so-called may be of great value to the psychologist, in fact, but simply not the case. On the whole, so that m is a novel interpretation of its own. it has completed its own interpretation from a psychological point of view the task of psychology scientists can only be criticized on that basis or expansion. As a writer how to start writing a particular novel to a particular important issue, of course, is not the answer. but I want to keep to the general question of The second part of my thesis to be explored in.
to psychologists benefited the most are those novels, in these novels, the author did not figure in his psychology illustrates made, thus leaving the analysis of room for interpretation. Not only that, the performance of these works appeal to psychologists and even their way of analysis and interpretation. Class Nuo Ate novels and Riddle b Highgate British-style novels, and created by the Conan Doyle , to produce the bulk of the most popular style is the kind of detective story fiction, is this kind of work m the best example. Herman Melville's work) also belong to this class of writing m as well. psychologists are most interested in, it is precisely this apparent lack of narrative psychology wonderful narration. This story based on a variety of subtle psychological assumption, they are of the author do not know the circumstances, the pure and direct way to their show, access to critical analysis, on the contrary, in the psychological novel, the author attempts to explain his description of the material to re-level, which often results covered the work of the psychological sense, or make it difficult to grasp. layman who is looking to these so-called psychological novel; However, the challenge to the psychologist, the novel is another, because only psychological scientists to make these novels has a deeper meaning.
I have been in the light of the novel, but the fact that I am involved in psychology, but not limited to this particular form of literature and art. In the works of poets, we also exposure to this fact, and when we will Psychologists can not go down to something above any increase in m, m cut are all more beautiful poet with spoken language. On the contrary, the second part of the script has to explain. where the material itself with imaginative amazing richness, it is more than the poet's ability to organize material so that no place is to explain in their own, each line of verse require readers to add their own interpretation. part of an extreme way that the two types of literary distinction between these m psychology.
order to emphasize this distinction, I want a model of artistic creation called a model known as people's sense of life, especially his emotional life. poet psychological assimilation of this material, it raised to the status of poetry from the ordinary level of experience and give it a performance to make readers aware of him through the often ignored to avoid the thing, and only in a dull way to feel uncomfortable things, to force the reader a clearer and deeper insight into the human heart. poet's job is to explain and illustrate the content of consciousness, explanations and justifications of human life the necessary experience and the eternal cycle of sorrow and joy. He did not leave anything to the psychologist, psychologists, unless we really want to fall in love with elaborate floats Rende Gretchen Gretchen kill or cause their children's causes. These themes form the destiny of humanity; they repeated thousands of times, thus leading police agencies and the penalty code the same mold. something around them is hazy blur, as they made their own full explanation.
this type of innumerable literary works, including many love stories, environmental stories, family stories, crime fiction, social fiction and didactic poetry. including most of the lyric poetry and drama (tragedy and comedy) literature. No matter what it takes a special form of expression, we can say that the subject matter of psychological works of art always comes from experience in the broad field of human consciousness, from the vivid life prospects. I call this art in front of model is called the mental model, because it itself has been unable to go beyond the activities of the scope of psychology to understand, it contains all the experience and artistic expression, people are able to understand. even the basic experience itself, although non- rational, but also there is no strange place; the contrary, they and their destiny as the result of passion, as people succumb to the fate of the turning point, as the eternal nature of beauty and terror, already from the beginning of time for people on The total of cicada.
, to provide material here for the experience of artistic expression is no longer familiar to people. This is something from the depths of the human mind a strange thing, as if from the abyss of prehistoric humans, but also seems to control from the light and dark Superman world. It is beyond human comprehension m kind of primitive experience, for it, because of their own human weakness can easily surrendered. this experience the value and strength comes from its infinite power, it is from the eternal the rise of the abyss, looked strange, cold, multi-faceted, extraordinary, strange. It is a strange eternal chaos in the sample, with Nietzsche's words, is a betrayal of humanity. It totally destroyed our human values and aesthetic form of standards. weird unnecessary disturbance generated by the events of the vision, in every respect, beyond the human emotion and understanding can grasp the scope of the artist's ability to put forward its wide range of requirements, not alone need to come from the experience of everyday life. everyday life experiences can not be torn curtain order of the universe can not be beyond the boundaries of human possibility, therefore, no matter how much it may have shocked people still able to meet any requirements in the arts . But the original experience of an orderly confused painted curtain of the world, from top to bottom to tear open, so that we can on the things that have not yet formed to give a glimpse of the bottomless abyss. whether it is the illusion of another world , is the dark nightmare of the soul, or the originator of the images of the human spirit? All this we certainly can not deny neither.
the formation of complex formation
mm eternal spirit of the eternal past
our shepherd Le's the original experience to a more rigorous way of more specific, within the scope of the novel provides Riddle b Highgate to Bin (in the ; however, the illusion when it comes to artistic creation mode, we are forced to face the m issues. We were surprised, hesitant, confused, alert and even disgust, we requested an evaluation and interpretation occupied by the enemy. It is not any of us who remember with something about daily life, but reminds us of a dream, at night the darkness of fear and soul we sometimes dubious mm felt these things. Indeed, unless it can blunt sense of the vast majority of readers are not Welcome to this type of work, and even literary critics also carries it to a dilemma. Dante and Wagner model for the illusion of art paved the way. In Dante's works, the account of historical facts, in Wagner's works, as narrative story of God live, the experience of hallucinations were covered up. so people tend to think that history and the living God, which is that these poets writing material. But the power of moving and profound history that does not mean it is not myth, because the two have also been accommodated in the experience of illusion. No wonder Riddle b Highgate is generally regarded as pure fiction inventor. But even in his hands, the story is mainly used for the performance meaningful material means. regardless of the surface It appears that the story is how to beat the content in importance, however, content is always an overwhelming story.
visionary creation of the material comes from, is really very strange that vaguely obscure, and because obviously different from We create mental models, we found those things, we even doubt whether the intention to cause such a vaguely obscure. We naturally tend to assume that m is also a Freudian psychology mm drum Yo us assume that in this singular hidden under the darkness of certain highly personal experience. We like to explain that strange to look into the depths of chaos, to understand why sometimes seems as if the poet is deliberately hide his fundamental to our life experience. This look at the issue the way, and declared that we are faced with a neurological disease pathology and art, the difference between the two is only one step. to visionary creation of some of our material shows that the illusion of mental illness found characteristics, the difference between this step is justified. and vice versa. because we are often the product of mental illness in the spirit, that we should expect from the works of genius to be found in the rich meaning. follow Floy German psychologist who will of course tend to Xin discuss the issue as a work to study pathology. They assume that what we call the a kind of intimacy of personal experience; they sought through the illusion called the shelter of these original images, assuming that they are designed to deliberately obscure the basic experience, so to interpret and explain these strange illusions images. In their view, this is likely to be m kind of love experience, this experience of moral or aesthetic, with the whole personality, or at least self-consciousness is incompatible with certain ideas. Therefore, in order for the poet to his so that it becomes unconscious, unable to identify all the pathological storage of a fantasy to have been mobilized. In addition, as this fictitious attempt to replace the reality is not always satisfactory, so it had to process a range of creative expression repeatedly. This explains everything horrible, weird, unusual surge in the imagination of the reason why the form. the one hand, they are the kind of experience difficult to accept substitutes, on the other hand, they are helped to this experience hidden.
Although, strictly speaking, I did the second part of this article discussed the poet's personality and psychological temperament, but I had to present this contact areas, to mention Freud visionary art view. First, it causes plants many people's attention. Second, it is the only known attempt, this attempt to source material on the illusion of a or form a theory, to illustrate hidden in this strange mode of artistic creation under the mental process. I assume that the views on this issue I do not know or do not for others is generally understood. finish after a few opening remarks I decided to make some brief on this issue.
If we maintain that illusion comes from personal experience, we have the illusion as a secondary thing to treat it mm only as a substitute for . The result is the illusion that we stripped the original nature, just take it as a kind of signs. so full of meaning of the chaos on the part back to psychological disturbances. and we adopted such an interpretation, it re- settled down, and back to our orderly universe picture. Since we are realistic, reasonable, do not expect a perfect universe, of course we also acknowledged the inevitable flaws, it is called abnormal and pathological, and granted that it is indispensable to human nature. from hell, scary revelation, not to be understood as being sent as an illusion, the poet was also seen as victims and con artists. even in the poets themselves It appears that his original experience is This kind of art is the interpretation (that is, it is reduced to personal reasons), all between the lines completely understand. We should look at where it leads us: The fact is, it keeps us from the psychological works of art study brings us face the poet's own psychological tendencies. which of course is also an important issue, which is of course undeniable; but works of art has its own independent right to exist, that we can not turn a blind eye. poets for What kind of meaning the poet mm it as he trifles, as a shielding device, as the source of the pain, or as a successful outcome, which m the problem, temporarily ours. Our task is psychology to explain works of art. but to engage in this work, the key is hidden in the works of art seriously below the basic experience of the illusion that said. At least, we should be treated as hidden in the mental model of artistic creation under the various experience (no one doubts the authenticity of the experience and seriousness) that take it seriously. On the surface, the illusion of experience and people really seem far removed from the common destiny, and we therefore believe that it is real hard. It Unfortunately, somewhat obscure metaphysical areas of color and mysticism, so we feel responsible in a thoughtful rational manner to come forward to interfere. Our conclusion is: look at this sort of thing, the most well not too serious, otherwise the world will again go back to ignorance, superstition. Of course, the mysterious things that we can have preference, but we usually experience the illusion as a product of fantasy or poetry, that is, as m species From the psychological point of view to understand the poetic catharsis and kill at random. Some poets support this interpretation mm in order to work themselves and between them create a good distance. For example, Spitler stubbornly insisted that poets sing m the first , digress. Therefore, we should do, is nothing but the importance of maintaining the illusion of experience, it will not be affected by the impact of the poet's own statement.
we can not deny that we in the the shepherd, Ministry refuses to cover up the first in the normal human experience. This idea in fact groundless. Similarly, we can not totally unreasonable to guess the Ministry of Goethe was writing when the spirit of the m-normal, when you write the second in a state of insanity. personal love episode not only experience more of the illusion is associated, but also directly subordinate to the illusion of experience. As this work of art itself provides the evidence, this evidence and dismissed the special psychological temperament of the poet's question, we must recognize , hallucinations represent a deeper desire than people experience more memorable. We must not be works of art of this nature will ask the artist as a confused individual, works of art of this nature, no matter what their rationalist said, we do not doubt that illusion is a truly original experience. illusion is not something external, something minor, it is not signs of other things. It is really a symbol, that is, a species have the right to independent existence, but not yet fully aware of what human expression. If the episode is really experienced love the real experience. then the illusion is truly experienced the same real-life experience. hallucinations what is the nature of the contents of physical, psychological thing metaphysical, we do not need to judge the busy, because the illusion of authenticity itself is psychological, this authenticity is not the slightest inferior to the truth of physics. Human emotions are the range of conscious experience, the illusion of the object but in this outside. We are known through the senses to experience things that our intuition is pointing to the unknown and hidden things, these things are essentially hidden. Once they are aware, they deliberately retreat back to their hiding up. Because of this, they have been since ancient times been regarded as mysterious, magical and deceptive things. They hide themselves together to prevent people to see their true colors, and people are leaving themselves out of fear far away they are. people with intellectual and scientific armor shield from my protected. enlightened human beings that originated in fear. During the day, people believed that the universe is orderly; night, they want to maintain the belief that surrounded them to resist For fear of confusion. However, it will not really have the power of a vibrant activities in the world beyond our daily lives? will not really dangerous and inevitable that people's needs? will not really exist more than a more meaningful purpose electronic stuff? we will not be fooling themselves to think that our master and control our own soul? that are scientifically known as the not just confined in the head in a question mark, but more importantly, to the human world from another world, a door opened from time to time to let those strange, elusive power of the people play a role, as on the night play a role in the wings, as his degree from ordinary people, on: rose beyond the level of individual temperament? When we look at the illusion of artistic creation mode, looks like love episode solely be used as m kind of a relief, as if That personal experience is only significant They are the same. no matter how dark the night of the world, it is not entirely new to human. long, long time ago, people knew it mm it everywhere. crepuscular primitive for today, this is a dark world He no doubt the universe one screen part. only we refuse to recognize it, because we are afraid of superstition, fear of metaphysics, as we strive to build a more secure and easier to grasp the sense of the world, in this world, natural law In civilized countries have enjoyed a statutory position. However, even among us, the poets are still active in the night to capture the variety of the world overwhelmed mm powder Ling, The Devil and God solely. He knew, as far as human the end of the purpose of creating human life, that is, to say the secret; his course of life events that can not be understood there is a sense of foreboding. In short, he was a savage and primitive people from that caused by a deep spirit of fear world, saw something.
Beginning as early as the beginning of human society, people have been trying to give him the hazy obtained in a clear form of implied, we can easily find traces of this m efforts. Even in the west sector of Rhode Paleolithic rock art, in awe of the most lifelike paintings of animals next to the abstract patterns also appeared in a double cross-mm circle. This pattern is in every culture area there have been more or less. Today, we not only in the Christian church and monastery in Tibet can be found in this pattern. This is called the think of the wheel as a mechanical device, it will not come from any relevant experience with the outside world. It is a symbol of no peace, it represents a psychological event, representing an experience of the inner world, and No doubt, as the famous painting rhino and the birds eat ticks, is a lifelike reproduction. has never been a primitive culture which does not have a secret system of teaching, and in many cultures, this system even more highly developed. human totem clan societies and save the day with people with such a phase separation of the secret life of things about teaching, and this secret things from the original times, has constituted one of the most important experience. the knowledge about these things in the initiation rites to teach its population in the younger generation. Greek and Roman world, secret rituals also play a similar role, and the myth of the ancient variety, is in the initial stages of human development, the remains of such experiences.
Therefore, we always look forward to the poet, I hope he means of myth, to make his experience has been the most appropriate performance. If we assume that he used second-hand material, it would be wrong. the poet from his original creative experience This experience unpredictable, requiring the help of mythical imagination to give it form, the original experience itself does not provide words or images, because it the performance of hard to get a deep sense of foreboding. It is like a whirlwind, to seize all the things to hand in the process of upgrading them to higher ground to form a visible form. Since the specific performance can never be exhausted all possibilities of this illusion, but on the richness of the content seems greatly lacking, then the poet convey even to a slight hint that he must also be in the hands of a large number of materials. Moreover, in order to show the illusion of his the grotesque and absurd, and he must also difficult to grasp by means of an imagination full of contradictions. Dante's premonition clothing, all in full of all kinds of heaven and hell imagery; Goethe must be included in the works shrike Alex Berg and Greek monuments in the dark areas; Wagner needs all the Nordic mythology; Nietzsche back to the sacred style, re-creating the legendary prehistoric prophecy; Blake created for themselves is difficult to describe the image; Spitler was He created a new life in the imagination borrowed the old name. can not be described from the sublime to the strange anomalies throughout the series of wayward, there is no intermediate steps are omitted.
psychology in addition to collection of used to compare materials and the provision of the terms discussed, but can not imagine such a colorful make any explanation. provided under the terms of psychology, the kind of things that appeared in the illusion that is the collective unconscious. we call the collective unconscious, is genetic forces that formed from a variety of psychological tendency to set m, Consciousness, from which evolved psychological tendencies. In the physical structure of the human body, we found various traces of the early evolutionary stage. We can speculate that people Psychology in the structure also follows the phylogenetic pattern. In fact, when consciousness was overshadowed when, for example, dreams, and madness in the anesthetized state, some of the psychological product of mental content to float to the surface and show the level of psychological development in the characteristics of the original. These images often have a primitive nature itself, so that we can guess the secret of their teachings from the ancient. In addition, wearing modern clothing myth theme also emerging. in the collective unconscious of all its manifestations in the literary study of special significance is that they are conscious of consciousness tend to compensation. That is, they can be objective in a way clearly to consciousness with the one-sided, ill and dangerous state, into the a state of equilibrium. in a dream. We can clearly see the positive aspects of it; in manic state, the compensation process that is often very obvious, but take a negative form. For example, there is such some reason they rush to make their own isolation, only to find that they will one day be hidden deep inside all the people know and talk about.
If we look at the Goethe's , and it is my sense of compensation for the tendency of Goethe problems aside, then we must answer the question: relationship. great poetry always draw strength from human life, if we think it comes from personal factors, we are totally not understand its meaning. Whenever the collective unconscious becomes a living experience, and affect the consciousness of an era concept, this event is a creative act, it lives in that m for each person age to have great significance. a work of art was produced after, it can be said to contain the kind of intergenerational information. Therefore, the about . This compensation and regulation are achieved through the collective unconscious. in the collective unconscious, the poet, prophet and leader of the times they did not let themselves be expressed by the desire of the guidelines, by word or deed, to every desire and expectation m a blind person that a road be met, regardless of which brought m to meet what is good or bad, is to save or destroy an era of an era.
about Enemy which is called one's own behalf, this approach always There is a danger, because the problems currently facing is too big too difficult to understand. So a little bit just a little hint was enough. Francisco b Division is satisfied that the work taken down in the form of a dream, to be used as a natural human relations love to be sacred; it does not advocate wild unrestrained sensuality, however, completely confused the Christian sanctity of marriage cast aside. This was written in 1453. Riddle b Highgate life and Victorian heyday coincided dynasty, he also used the theme of this m his own way, and processing; he did not bring it into the form of dreams, but makes us feel tense moral conflict. Goethe to a Helen Gretchen The theme of a   a Mateer like a red line m plots woven into the adapted into the myth of the four seasons. regardless of how the poet's meaning, each of them are in the voice with the thousands of people, notice of his ...