Dog into a cute, lovable Dalmatians, the Chinese folk culture transformed into a totem of the mascot. national awareness of the traditional with the modern, eclectic traditional Chinese folk culture and the Walt Disney classic visual style of the essence. The result of the concept of conversion to work with a cartoon image, dressed in brilliant color into the blinding reality of life for the green adds a fresh spot. sculptural features of both humor and fashion, melted into the traditional culture and national identity of the resources, the effective surface use of the print style to highlight the visual appearance of the sculpture reflects the preferences of contemporary everyday mystery game features. works in between the traditional values and modern life to find an interesting connection point.
Seems to be blessed by the authorrs inspiration, the twelve Chinese zodiacs of animals begin to develop a fashionable career. The conceptual replacement from dog to Dalmatian turns the traditional totem of Chinese folk culture to a propitious denotation. Combining Chinese traditional culture and the classical visual symbol of Disneyland Cartoon character, the sculpture quivers with sparkling vigor of cartoonrs fairy colors in our daily lives. With a flavor of humor and fashion, the work takes in the characteristics of the tradition and national acknowledgement by integrating print painting techniques to the sculpture for stressed visual effect, and demonstrates a modern taste to mysterious games. Chenrs work finds out an interesting connection between traditional values and modern life.
Chen Changwei readme:
Chinese Lunar New Year is a heavy concept, each of the Lunar New Year have a beautiful legend, twelve Zodiac image shows a deep embedded in the cultural imagination of China. I used the new twelve traditional zodiac animals were replaced, they are: zebra (MA), sika deer (sheep), dolphin (monkey ), bald eagle (chicken), Dalmatian (dog), elephants (pig), Kangaroo (rat), Bear (cattle), leopard (tiger), giraffe (rabbit), Dinosaur (Long), crocodile (the snake). These animals have a certain degree of association more or less. This year is the Year of the Dog, I deliberately use Dalmatians (dogs) made the image of the shape of a public utility, a utility to change the way law-abiding, generally, want them to have some interesting. want the public to use to have a strange feeling and imagination.
From artist Chen Changwei:
Chinese have a deep-rooted notion of Animal Zodiacs. Each animal has a beautiful legend behind itself. Chinese zodiacs of animals reflected a cultural imagination embedded in the depths of the Chinese culture. I have replaced the traditional twelve animals with another twelve animals which are: Zebra (as corresponding to Horse), Spotted Deer (Sheep), Dolphin (Monkey), Eagle (Chicken), Dalmatian (Dog), Elephant (Pig), Kangaroo (Rat), Bear (Cattle), Leopard (Tiger), Giraffe (Rabbit), Dinosaur (Dragon), Alligator (Snake). There is, more or less, a certain association between each pair of animals. This year is the year of Dog, so the design is a public facility out of the image of Dalmatians (dog), hoping by this chance to soup up the public facilities which always wear serious uniform, and bring different experience to its users.
Mr Chan problems, prompted the rapid development of the urban environment and brought the conflict between human beings. The current push forward China's rapid urbanization to the natural ecological environment is already a huge embarrassment, highlights the one-sided pursuit of economic growth due to the cost of production and consequences. bronze casting huge roots, criss-cross, occupies the entire work surface. The roots of the planet covered by delusions, in fact, the artist's expression of an anti-utopian dreams of the future society, setting is still on the Human Environment deep concern. can be said that this is the artist for this highly variable environment shaped by the era monument. It is the witness of the development of Chinese cities, but also in cities and urban living witness to the relationship between people and the environment.
The sculpture is designed by using tree roots to show the simplified industrialization features. It reflects the artistrs focus on China's urbanization progress problems which need attention urgently than ever, and exhibits the man-nature contradiction due to the rapid expansion of cities. The inappropriateness of natural ecological environment caused by urbanization has spoken out the huge cost the severe consequences suffered by man for pursuing the economic growth unilaterally. The huge root made from bronze, crossed and covering the whole surface of the work, which just resembles authorrs impossible fantasy of covering the globe. It is his deep concern and reflection for social problems that grows such a anti-Utopian dream about future on him. The work is a environmental monument for this age of constant changes. It is and will witness the course of China city development and peoplers relations to city.
Mr Chan readme:
in the prerequisite for the work presented. works in the conception of man and nature to consider the ecological, social and ecological interaction, more care of the ecological environment of human values.
sculptures borrow existing natural images, extract representative , philosophical implications, the most direct way to reflect the state of the relationship between the material and feel to achieve a kind of environmental and human concerns. In terms of geographical space point of view, caring environment for human survival and living a kinds of authentic spirit of humanism. I directly to the natural shape of the evidence as a kind of philosophical thinking placed in the natural space, the whole emphasis on the sum of human existence, and strengthen their awareness and understanding of human depth. works to reveal the steel and concrete urban environment, natural and man, the traditional relationship between culture and modern civilization, and always reminds us of the inherent natural and human relations conscious awareness.
From artist Chen Ke:
Based on the theme of ; Humanistic Shan-shui this work echoes through several points the humanistic value of ecologic environment.
By extracting the typical and philosophical message from the existing natural phenomena, the work implies a concern for man and nature. And in the same time, it presents in the most direct way the relationship of state, material and feelings. From the perspective of geographical space, the sculpture steers our attention to our living environment and condition. Its way of direct linking of modeling with natural philosophy reinforced the artist's stress on examining human living state and the need to strengthen the awareness and understanding of us. In this world of steel and concrete, the work reveals the relation between man and nature, tradition and modern, and reminds us to always keep sober.
Chen Wenling, br> works form the rocks like a surreal picture of melting, it is amplified, exaggerated, subversion of the dialogue between nature and man. pavilion roof like a huge rock, like the bottom of the ice melting, and flowing down crystal clear water droplets. ablation sense means that the shape of the loss of memory and perception and transformation, people appreciate the time variability. stainless steel, smooth surface and smooth rounded lines, it is created by a modern industrial civilization cold strength and sense of order. sculptures ultra realistic fantasy and the real world things were organic integration, particularly with the interactive openness. the audience when you were in sculpture, body surface will have a reflection on the viewer, so that The suddenly feel the illusion of light and shadow. As a result, trying to remind people to re-examine the works of their own reference system and the whole day external environment, insight into one of the subtle changes and transformations.
Like a surrealistic melting stone, the sculpture blows up, exaggerates, and even overthrows the communicative relationship of the nature and its subjective. The roof of the pavilion is like a big mountain stone, the bottom a melting ice, and the middle the dropping rain. The melting image represents the departure or transition of memory and perception, which lets us savor the variability of time. The smooth surface and lines of stainless steel material speaks of the cold sense of force and order of modern industrial civilization. The sculpture involves fantasy and real forms together harmoniously and beholds an interactive openness. The viewers could sense the illusive light and shadow, right away when they stand by, being reflected upon by the surface. In this way people are reminded to compare and reexamine their daily surrounding environment and to realize the exquisite changes and transitions.
Chen Wenling Readme:
human spirit is being praised by certain basic cultural values, meaning of human existence is the highest pursuit. I work in-depth look at a critical point, and strive to open the way of the spirit of the secluded field, the work is converted to a passing vehicle for cultural resources.
main sculpture is a magnified bonsai landscape, undulating ridges and peaks of the rocks is Mayama really realistic water modeling. Tangshui the image on the rocks, rounded and smooth, soften the top like a bonsai. droplet stretched for a pillar to support the roof. sculpture of stainless steel used in this material has the appearance of false features but rather to create a realistic illusion. interesting landscapes in the traditional, outdated and therefore is replaced by modern materials products. polished stainless steel to the surrounding environment reflected image reflected in the above and to have changed anything have twisted and broken. As a result, those who have blurred the traditional context becomes vague dreams and memories. highlights the works of modern civilization and traditional cultures of the deconstruction and reconstruction, history and reality, abstract and figurative, imagination and real conflicts, and all areas and are compared with the deposit as a whole. This means that work is not just a view of the object, but also a thinking object, the object of the concept of projection.
used to support the water droplets and combined into a rain pavilion roof style. when it rains, water flowing down the water droplets and sculptures reflect each other, people under the shelter of their own shadow reflecting on the work, interacting with each other. work is also merging with nature, which Heaven and nature of human beings to complete the mutual integration, rising to achieve the state of human personality.
From artist Chen Wenling:
Humanistic spirit is the fundamental value of its exclusive mother culture, and it equals the highest pursue for the significance of life. media of humanistic resources communication.
The main body of the sculpture is an enlarged landscape bonsai. Stone with fluctuant surface is molded realistically from its original form, and flow of water drops on the stone softens the top. While the surface made by the polished stainless steel betrays its artificial feature, thus a fairly realistic illusion being created. When Chinese traditional landscapes turn to modern products of technical material, when stainless steel mirrors the surrounding environment, and when the reflected images develop to be misshaped and broken, you can feel the clue of tradition has lost its visibility, like the vague, dream-like past memories of oners life. This work highlights that all the contrastive pairs - the conflict and interrogation between modern and traditional civilization, the deconstruction and construction, the passed and the present, the abstract and the concrete, the imagined and the real - coexist in this world. Rather than appreciated, it is an art work more of thinking and casting value upon.
This is a design of rain learn creatively and promote the essence of Chinese folk art. doll seems to come from the creative tree animism of ancient folk fairy tale. one tree with the imagination of the body, giving the plant to the identity and emotional characteristics, the implication is that mountain landscape water, the environment in every human being. sculpture to bronze for the full amount of media rounded body shape, so that folk style of the characters even more innocent and romantic, full of joy. artists in sculpture, painting surface, bright, unique patterns, transmission misappropriation of folk art that he enjoy the burst when the accumulation of intellectual light. pen of free-spirited, totally free from lines, bound form; and special paint colors are also very lively, bright luster. Perhaps the artist illusions that visual reality that people can temporarily forget the hardships, before allowing the baby closer to the plant in some traditional customs and festivals mascot. dolls over one side, hook the way different artists draw the faces of several different characters, humor, easy and full of dramatic tension.
This is a great work of creativity on the essence of Chinese folk art. The originality of the botanic moppet seems to come from the folk fairy tale which believes that everything has a life. The association plants human identification and emotional features to the botanic tree, which extends to the purpose of content: The whole environment has its life. Material is copper, which is so thick and dense as to make the folklore character more naive and joyful. The author has swayed his brush freely on the surface without any limitation, adopting unique flower patterns, bold lines and imaginative shapes, and besides the lively and bright colors, the work also sparks with his wisdom in transplanting the essence of folk art. Maybe it is through the visual enjoyment of this mascot-like moppet has wanted the author to fancy about a world of pleasure. By using artistic methods, the author makes it several faces of different facial expressions in one head, a sense of humor and a sense of dramatic impression.
Hung Yi readme:
works on traditional Chinese style flower pots and flowers to do with, the use of the concept of the proposed Act and the rich art of totem color, the metaphor of life compared with flowers and trees, indicating the important value of life and any possibility; whether it is flowers or life, all the earth lord of creation, growth in the nature of this environment, the acceptance of supply and nourish, nurture the more likely the United States.
life as a landscaped, in the process of growth, environment all the people and things can become a variable, its impact, the impact of the environment and will not fade with time and age, but step by step, gradually accumulated into the body of nutrients, slow fermentation and increasingly robust .
and this concept is also used in the life of the individual case, a life in the process, will encounter a number of external environment variables, but both variables are good or bad, will make life more beautiful might have. These appear in the life of each variable accumulated through the years will eventually become sweet memories and experiences and become an indispensable factor in the individual life is the most valuable place in life.
bred from traditional flower rich flowers and trees, a symbol of life is full of any possibility of the totem as bright and beautiful life can bloom more beautiful ...
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